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Results 1 to 25 of 10638

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Along the Yangzi River: The Ancient Customs and Bronzes of Hunan = Le long de la rivière Yangzi : les coutumes et les bronzes antiques du HunanWEILAN HAI CHANG, Willow.Orientations (Hong Kong). 2011, Vol 42, Num 2, pp 116-123, issn 0030-5448, 8 p.Article

The Chinese hill censer, Boshan Lu: A note on origins, influences and meaningsRAWSON, Jessica.Arts asiatiques (Paris). 2006, Vol 61, pp 75-86, issn 0004-3958, 12 p.Article

The Xiangtangshan caves project : An overview and progress report with new discoveries = Le projet Cavernes de Xiangtangshan : Vue d'ensemble et rapport sur l'état du projet avec les nouvelles découvertesTSIANG, Katherine R.Orientations (Hong Kong). 2007, Vol 38, Num 6, pp 74-83, issn 0030-5448, 10 p.Article

SHANGHAI GRAPHIC ARTS, 1876-1976: A PROPOSALCHAN, Dany.Orientations (Hong Kong). 2010, Vol 41, Num 1, pp 44-49, issn 0030-5448, 6 p.Article

Emblems on Shang and Western Zhou bronzes in the Musée CernuschiVENTURE, Olivier.Orientations (Hong Kong). 2005, Vol 36, Num 5, pp 30-34, issn 0030-5448, 5 p.Article

Christian loyalists, Spanish friars, and holy virgins in Fujian during the Ming-Qing transitionMENEGON, Eugenio.Monumenta serica. 2003, Vol 51, pp 335-365, issn 0254-9948, 31 p.Article

Non-destructive analysis of Jingdezhen blue and white porcelainsYU, K. N; MIAO, J. M.Archaeometry. 1996, Vol 38, Num 2, pp 257-262, issn 0003-813XArticle

THE YUAN-MING TRANSFORMATION IN THE BLUE AND RED DECORATED PORCELAINS OF CHINAMEDLEY M.ARS ORIENTALIS. 1973, Vol 9, pp 89-101Article

L'ACADEMIE DE PEINTURE A L'EPOQUE DES SONG EN RUSSEPOSTRELOVA T. A.NARODY AZII I AFRIKI. 1973, Vol 2, pp 88-95Article

WANG HUI'S DWELLING IN THE FU-CH'UN MOUNTAINS: A CLASSICAL THEME, ITS ORIGIN AND VARIATIONSLOVELL H.-C.ARS ORIENTALIS. 1970, Vol 8, pp 217-242Article

'Shanghai': Celebrating the Visual Culture of a Global City = Shanghai : Célébration de la culture visuelle d'une cité mondialeKNIGHT, Michael.Orientations (Hong Kong). 2010, Vol 41, Num 1, pp 38-43, issn 0030-5448, 6 p.Article

The Shibui Printed Books in Chinese and Japanese Erotic Pictorial Art = Les livres imprimés de Shibui dans l'art pictural érotique de la Chine et du JaponCAHILL, James.Orientations (Hong Kong). 2009, Vol 40, Num 3, pp 43-48, issn 0030-5448, 6 p.Article

AUTHENTICITY AND THE EXPANDING MARKET IN CHEN HONGSHOU'S SEVENTEENTH-CENTURY PRINTED PLAYING CARDS = Authenticité et marché en expansion dans les cartes à jouer imprimées de Chen Hongshou au dix-septième siècleHEIMARCK BENTLEY, Tamara.Artibus Asiae. 2009, Vol 69, Num 1, pp 147-188, issn 0004-3648, 42 p.Article

Was Carved Lacquer Ever Manufactured at Guoyuanchang? An Examination of Textual and Material Sources = Les laques sculptés ont-ils été jamais fabriqués à Guoyuanchang ? Un examen des sources textuelles et matériellesKING-TSI, Lee.Orientations (Hong Kong). 2008, Vol 39, Num 4, pp 51-57, issn 0030-5448, 7 p.Article

The salt of Ba: Reflections on the role of the peripheries in the production systems of Bronze age chinaVON FALKENHAUSEN, Lothar.Arts asiatiques (Paris). 2006, Vol 61, pp 45-56, issn 0004-3958, 12 p.Article

'Rustic splendors : Kiln treasures from shiwan'SO KAM NG LEE.Orientations (Hong Kong). 2005, Vol 36, Num 7, pp 66-68, issn 0030-5448, 3 p.Article

MUSEE DE LA VILLE DE NANKIN. OBJETS PROVENANT DE LA SEPULTURE DES EPOUX CHANG, T'UNG-CHIH DE LA DYNASTIE DES SONG DU SUD, SITUEE A HUANG-YUEH-LING, DANS LE DISTRICT DU CHIANG-P'U PRES DE NANKIN EN CHINOISWEN WU. 1973, Num 4, pp 59-66Article

Badly wanted, but not for reading : The unending odyssey of the complete library of four treasures of the wensu library = Ardemment voulue mais pas pour être lue : L'Odyssée sans fin de la Bibliothèque des Quatre trésors de la Bibliothèque WensuCHENGZHI WANG.Library trends. 2007, Vol 55, Num 3, pp 387-403, issn 0024-2594, 17 p.Article

Sages, cooks, and flavours in warring states and Han China = Sages, cuisiniers et saveurs dans la Chine des Royaumes Combattants et de la dynastie HanSTERCKX, Roel.Monumenta serica. 2006, Vol 54, pp 1-46, issn 0254-9948, 46 p.Article

Du message à l'image. Le décor des bronzes Shang et Zhou (XVe-IIIe S. av. J.-C.) = The Dynamics of Visual Representation in the Shang and Zhou Bronze Decoration (15th to 3rd century BC)THOTE, Alain.Arts asiatiques (Paris). 2003, Vol 58, pp 73-85, issn 0004-3958, 13 p.Article

TRADITION ET INNOVATIONS DANS LA CERAMIQUE DES YUAN (1271-1368)LION-GOLDSCHMIDT D.ARCHEOLOGIA. 1973, Num 59, pp 56-59Article

SCEAU EN CUIVRE DU POUVOIR PAYSAN DE HSU SHOU-HUI DE LA DYNASTIE DES YUAN EN CHINOISSHIH S.-C.WEN WU. 1972, Num 6, pp 9-13Article

Cotton Textile Manufacture and Marketing in Late Imperial China and the 'Great Divergence'ZURNDORFER, Harriet T.Journal of the economic and social history of the Orient. 2011, Vol 54, pp 701-738, issn 0022-4995, 38 p., 5Article

He flies like a bird; he dives like a dragon; who is that man in the tiger mouth? Shamanic Images in Shang and Early Western Zhou Art = Il vole comme un oiseau, plonge comme un dragon; qui est cet homme à la bouche de tigre? Images chamaniques dans l'art des Shang et des Zhou occidentauxALLAN, Sarah.Orientations (Hong Kong). 2010, Vol 41, Num 3, pp 45-51, issn 0030-5448, 7 p.Article

A Wild Man and His Cloud Boat on the Yellow Sea : The Monk Xuezhuang and His Huangshan Residence = L’homme sauvage et son bateau de nuage sur la mer jaune : le moine Xuezhuang et sa résidence du HuangshanCHANG, Joseph.Orientations (Hong Kong). 2008, Vol 39, Num 4, pp 68-70, issn 0030-5448, 3 p.Article

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