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Results 1 to 25 of 88

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Un festival international de guitare à CaracasPLISSON, M.Espaces Latinos. 1997, Num 142, issn 1260-7991, p. 25Article

AKUSTISCHE UNTERSUCHUNGEN UEBER DEN KLANG DER GITARRE. = ETUDE ACOUSTIQUE DU SON DE LA GUITAREMEYER J.1973; IN: 5TH CONF. ACOUST.; BUDAPEST; 1973; BUDAPEST; MTESZ OPT. AKUSZTIKAI FILMTECH. EGYESUELET; DA. 1973; VOL. 10.3; PP. 1-6; ABS. ANGL. HONG.; BIBL. 3 REF.Conference Paper

Guy Tudy: Père de la guitare celtique = Guy Tudy: father of the Celtic guitarMONOT, Alain-Gabriel.Ar Men (Douarnenez). 2012, Num 187, pp 6-9, issn 0297-8644, 4 p.Article

Categories in Motion : The Use of Generic Multiplicity in Music Store Guitar Lessons = Catégories en mouvement : l'utilisation de la multiplicité générique dans les leçons de guitare des magasins de musiqueGUEST-SCOTT, Anthony.Ethnomusicology. 2008, Vol 52, Num 3, pp 426-457, issn 0014-1836, 32 p.Article

Vérité de l'autodidaxie. Ethnographie de la transmission guitariste = Truth of autodidaxy. Ethnography of guitar transmissionCARON, Florian.Ethnologie française (Paris). 2011, Vol 41, Num 3, pp 531-539, issn 0046-2616, 9 p.Article

The guitar in Africa: issues and researchSCHMIDT, C.World of music (Wilhelmshaven). 1994, Vol 36, Num 2, pp 3-20, issn 0043-8774Article

The changing role of the guitar in the urban music of ZaireKAZADI WA MUKUNA.World of music (Wilhelmshaven). 1994, Vol 36, Num 2, pp 62-72, issn 0043-8774Article

Musical Genre and Hybridity in Indonesia: Simponi Kecapi and Sari = Genre musical et hybridité en Indonésie : Simponi Kecapi et Campur SariSUTTON, R. Anderson.Asian music. 2013, Vol 44, Num 2, pp 81-94, issn 0044-9202, 14 p.Article

Guitar Playing and Representation in the Changing Locations of New York City's African Music SceneRACANELLI, David.Ethnomusicology. 2014, Vol 58, Num 2, pp 278-314, issn 0014-1836, 37 p.Article

De cante, baile y toque en la emigración. Sociabilidad en torno al flamenco en Bélgica, 1956-1975 = On Song, Dance and Guitar Playing among the Inmigrants. Sociability in the Flamenco Circle in Belgium, 1956-1975RUIZ-MORALES, Fernando C.Revista de dialectología y tradiciones populares. 2011, Vol 66, Num 2, pp 433-454, issn 0034-7981, 22 p.Article

A History of Bluegrass Guitar in Western North Carolina = Une histoire de la guitare bluegrass en Caroline du Nord cccidentaleMARTIN, John.North Carolina folklore journal. 2009, Vol 56, Num 2, pp 34-51, issn 0090-5844, 18 p.Article

GUITAR AS A REFLEX ENCLOSURE.CALDERSMITH G.1978; J. ACOUST. SOC. AMER.; USA; DA. 1978; VOL. 63; NO 5; PP. 1566-1575; BIBL. DISSEM.Article

DE L'EVALUATION DE LA QUALITE DES VIOLONS ET DES GUITARESGRIDNEV MV; PORVENKOV VG.1976; AKUST. ZH.; S.S.S.R.; DA. 1976; VOL. 22; NO 5; PP. 686-692; BIBL. 6 REF.Article

Palang Conformity and Fulset Freedom: Encountering Pentecostalism's Sensational Liturgical Forms in the Postmissionary Church in Lae, Papua New Guinea = Conformité Palang et liberté Fulset : à la rencontre des formes sensationelles liturgiques pentecôtistes dans l'église post-missionnaire de Lae, en Papouasie Nouvelle GuinéeWEBB, Michael.Ethnomusicology. 2011, Vol 55, Num 3, pp 445-472, issn 0014-1836, 28 p.Article

Antoine Lhoyer, musicien clermontois = Antoine Lhoyern, musician from ClermontFAURE, Philippe.Bulletin historique et scientifique de l'Auvergne (1933). 2000, Vol 101, Num 745, pp 103-107, issn 1153-2599Article

Air cavity modes in the resonance box of the guitar: The effect of the sound holeELEJABARRIETA, M. J; SANTAMARIA, C; EZCURRA, A et al.Journal of sound and vibration. 2002, Vol 252, Num 3, pp 584-590, issn 0022-460XArticle

INTENSITY OF GUITAR PLAYING AS A FUNCTION OF AUDITORY FEEDBACK.JOHNSON CI; PICK HL JR; GARBER SR et al.1978; J. ACOUST. SOC. AMER.; USA; DA. 1978; VOL. 63; NO 6; PP. 1930-1932; BIBL. 5 REF.Article

SUR L'EXCITATION IMPULSIONNELLE DES CORPS RESONNANTS DES INSTRUMENTS MUSICAUX A CORDES PINCEESGRIDNEV MV.1974; AKUST. ZH.; S.S.S.R.; DA. 1974; VOL. 20; NO 5; PP. 711-717; BIBL. 8 REF.Article

The grand Mande guitar tradition of the Western Sahel and SavannahCHARRY, E.World of music (Wilhelmshaven). 1994, Vol 36, Num 2, pp 21-61, issn 0043-8774Article

Jíbaro image and the ecology of Hawai'i Puerto Rican musical instrumentsSOLIS, T.Revista de música latinoamericana. 1995, Vol 16, Num 2, pp 123-153, issn 0163-0350Article

Designing a guitar FamilyCALDERSMITH, G.Applied Acoustics. 1995, Vol 46, Num 1, pp 3-17, issn 0003-682XArticle

A platform for manipulation and examination of the acoustic guitar: The Chameleon GuitarZORANA, Amit; WELCH, Stephen; HUNT, William D et al.Applied acoustics. 2012, Vol 73, Num 4, pp 338-347, issn 0003-682X, 10 p.Article

PHYSICS OF THE GUITAR AT THE HELMHOLTZ AND FIRST TOPPLATE RESONANCES.FIRTH IM.1977; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1977; VOL. 61; NO 2; PP. 588-593; BIBL. 5 REF.Article

TRAUMATIC SYNOVITIS IN A CLASSICAL GUITARIST: A STUDY OF JOINT LAXITYBIRD HA; WRIGHT V.1981; ANN. RHEUM. DIS.; ISSN 0003-4967; GBR; DA. 1981; VOL. 40; NO 2; PP. 161-163; BIBL. 5 REF.Article

THE QUALITY OF STRINGS FOR GUITARS: AN EXPERIMENTAL STUDYDE DAYAN HG; BEHAR A.1979; J. SOUND VIBR.; GBR; DA. 1979; VOL. 64; NO 3; PP. 421-431; BIBL. 16 REF.Article

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