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PITCH, CONSONANCE, AND HARMONY.TERHARDT E.1974; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1974; VOL. 55; NO 5; PP. 1061-1069; BIBL. 1 P.Article

LA FONCTION ET LA JUSTESSE MELODIQUE DES INTERVALLES.TANNER R.1976; ACUSTICA; ALLEM.; DA. 1976; VOL. 34; NO 5; PP. 259-268; ABS. ALLEM. ANGL.; BIBL. 11 REF.Article

SONS MUSICAUX, INTERVALLES ET TEMPERAMENTS.BOSQUET J.1974; ACAD. R. BELG., BULL. CL. SCI.; BELG.; DA. 1974; VOL. 60; NO 10; PP. 1205-1246; BIBL. 2 P. 1/2Article

LE PROBLEME DES "DEUX TIERCES" (PYTHAGORE OU ZARLINO). LA SOLUTION PSYCHARITHMETIQUE ET EXPERIMENTALE. I. IITANNER R.1972; ACUSTICA; ALLEM.; DA. 1972; VOL. 27; NO 6; PP. 335-352; ABS. ALLEM. ANGL.; BIBL. 12 REF.Serial Issue

CATEGORICAL PERCEPTION-PHENOMENON OR EPIPHENOMENON: EVIDENCE FROM EXPERIMENTS IN THE PERCEPTION OF MELODIC MUSICAL INTERVALS.BURNS EM; DIXON WARD M.1978; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1978; VOL. 63; NO 2; PP. 456-468; BIBL. 1 P. 1/2Article

TONSTUFEN IN DER DUODEZIME. = DIVISION EN TREIZE TONS DE LA GAMME DIATONIQUEBOHLEN H.1978; ACUSTICA; ALLEM.; DA. 1978; VOL. 39; NO 2; PP. 76-86; ABS. ANGL. FR.; BIBL. 22 REF.Article

VIZUALISATION OF THE EVEN TEMPERED COMPROMISEARCHIBALD FS.1979; J. SOUND VIBR.; GBR; DA. 1979; VOL. 67; NO 4; PP. 556-557Article

MUSICAL PITCH OF TWO-TONE COMPLEXES AND PREDICTIONS BY MODERN PITCH THEORIESHOUTSMA AJM.1979; J. ACOUST. SOC. AMER.; USA; DA. 1979; VOL. 66; NO 1; PP. 87-99; BIBL. 20 REF.Article

LA DIFFERENCIATION QUALITATIVE DES PSYCHARITHMES ET DES INTERVALLES MUSICAUXTANNER R.1972; REV. MUSIC.; FR.; DA. 1972; NO SPEC. 285; PP. 1-93Serial Issue

ESSAIS SUR LA GAMME CHROMATIQUE DE L'ORCHESTRE.MICHELIN F.1976; REV. SON; FR.; DA. 1976; NO 278-279; PP. 74-76; BIBL. 3 REF.Article

A MODEL FOR PATTERN PERCEPTION WITH MUSICAL APPLICATIONS. I. PITCH STRUCTURES AS ORDER-PRESERVING MAPSROTHENBERG D.1978; MATH. SYST. THEORY; USA; DA. 1978; VOL. 11; NO 3; PP. 199-234; BIBL. 17 REF.Article

BEURTEILUNG VON UNTERSCHIEDEN ZWISCHEN AUFEINANDERFOLGENDEN SCHALLEN. = EVALUATION DES DIFFERENCES ENTRE SONS SUCCESSIFSSUCHOWERSKYJ W.1977; ACUSTICA; ALLEM.; DA. 1977; VOL. 38; NO 2; PP. 131-139; ABS. ANGL. FR.; BIBL. 22 REF.Article

NONSPECTRAL PITCH.BURNS EM; VIEMEISTER NF.1976; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1976; VOL. 60; NO 4; PP. 863-869; BIBL. 21 REF.Article

Musical intervals and relative pitch: Frequency resolution, not interval resolution, is specialMCDERMOTT, Josh H; KEEBLER, Michael V; MICHEYL, Christophe et al.The Journal of the Acoustical Society of America. 2010, Vol 128, Num 4, pp 1943-1951, issn 0001-4966, 9 p., 1Article

Average beat rate of two independent musical intervalsSLOANE, C.Journal of sound and vibration. 1988, Vol 121, Num 2, issn 0022-460X, 382Article

Proportionality of beat rate and tempering of musical intervalsSLOANE, C.Journal of sound and vibration. 1987, Vol 112, Num 1, pp 198-199, issn 0022-460XArticle

Average beat rate of two consecutive intervalsSLOANE, C.Journal of sound and vibration. 1988, Vol 121, Num 1, issn 0022-460X, 181Article

A matrix technique for analysing musical tuning systemsKARP, C.Acustica. 1984, Vol 54, Num 4, pp 209-216, issn 0001-7884Article

Feedback and musical resonanceMUSES, C.Kybernetes. 1994, Vol 23, Num 6-7, pp 111-122, issn 0368-492XArticle

Pitch-interval discrimination and musical expertise: Is the semitone a perceptual boundary?ZARATE, Jean Mary; RITSON, Caroline R; POEPPEL, David et al.The Journal of the Acoustical Society of America. 2012, Vol 132, Num 2, pp 984-993, issn 0001-4966, 10 p.Article

L'ANAMORFOSI LOGARITMICA DEGLI INTERVALLI PITAGORICI = L'anamorphose logarithmique des intervalles pythagoriciens = The logarithmic anamorphosis of the pythagoriciens intervalsBELLISSIMA, Fabio.Bollettino di storia delle scienze matematiche. 2011, Vol 31, Num 2, pp 177-215, issn 0392-4432, 39 p.Article

Perceptual Separation of Simultaneous Complex Tones: the Effect of Slightly Asynchronous orsetsVOS, J.Acta acustica (Les Ulis). 1995, Vol 3, Num 5, pp 405-416, issn 1022-4793Article

A rational equation for attractive proportionsLEFEBVRE, V. A.Journal of mathematical psychology (Print). 1992, Vol 36, Num 1, pp 100-128, issn 0022-2496Article

L'ANTANAIRESI E LA TEORIA ARMONICA GRECABELLISSIMA, Fabio.Bollettino di storia delle scienze matematiche. 2011, Vol 31, Num 1, pp 59-90, issn 0392-4432, 32 p.Article

Adjustment of successive and simultaneous intervals by musically experienced and inexperienced subjectsELLIOT, J; PLATT, J. R; RACINE, R. J et al.Perception & psychophysics. 1987, Vol 42, Num 6, pp 594-598, issn 0031-5117Article

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