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Results 1 to 25 of 48

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ON MUSICAL NOTATIONS-AGAIN!BOWSHER JM.1976; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1976; VOL. 59; NO 6; PP. 1512-1513; BIBL. 5 REF.Article

DIE SPIELDAUER KURZER NOTEN FUER 4 TYPISCHE INSTRUMENTENGRUPPEN = LA DUREE D'EXECUTION DES NOTES BREVES POUR QUATRE GROUPES D'INSTRUMENTS TYPIQUESREICHARDT W; KUSSEV A.1973; Z. ELEKTR. INFORM.-U. ENERGIETECH.; DTSCH.; DA. 1973; VOL. 3; NO 2; PP. 66-72; BIBL. 4 REF.Serial Issue

PRACTICALLY PERFECT PITCHLOCKHEAD GR; BYRD R.1981; J. ACOUST. SOC. AM.; ISSN 0001-4966; USA; DA. 1981; VOL. 70; NO 2; PP. 387-389; BIBL. 13 REF.Article

ERZEUGUNG RHYTHMISCHER ERREGUNGEN BEIM SPIELEN VON 1/8- UND 1/4-NOTEN ZUR PRUEFUNG DER BALANCE IN KONZERTRAEUMEN BEI IMPULSIVEN KLAENGEN. = PRODUCTION D'EXCITATIONS RYTHMIQUES DANS LE JEU DE 1/8 ET 1/4 DE NOTES POUR VERIFIER L'EQUILIBRE DANS DES SALLES DE CONCERT DANS LE CAS DE SONS IMPULSIFSREICHARDT W; KUSSEV A.1974; Z. ELEKTR. INFORM.-U. ENERGIETECH.; DTSCH.; DA. 1974; VOL. 4; NO 6; PP. 362-374; BIBL. 10 REF.Article

RECOGNITION OF MUSICAL KEY: EXPLORATORY STUDYTERHARDT E; WARD WD.1982; J. ACOUST. SOC. AM.; ISSN 0001-4966; USA; DA. 1982; VOL. 72; NO 1; PP. 26-33; BIBL. 13 REF.Article

A SUBJECTIVE RATING SCALE FOR TIMBRE.PRATT RL; DOAK PE.1976; J. SOUND VIBR.; G.B.; DA. 1976; VOL. 45; NO 3; PP. 317-328; BIBL. 12 REF.Article

THE PERCEPTION OF SIMULTANEOUS NOTES SUCH AS IN POLYPHONIC MUSIC.RASCH RA.1978; ACUSTICA; ALLEM.; DA. 1978; VOL. 40; NO 1; PP. 21-33; ABS. ALLEM. FR.; BIBL. 13 REF.Article

ESSAIS SUR LA GAMME CHROMATIQUE DE L'ORCHESTRE.MICHELIN F.1976; REV. SON; FR.; DA. 1976; NO 278-279; PP. 74-76; BIBL. 3 REF.Article

Computer-aided determination of the genus and the tropos of an extract from the ancient greek music = Détermination assistée par ordinateur des genres et tropes d'un extrait de musique grecque ancienneSPYRIDIS, H. C; PRINOS, J. P.Acustica. 1992, Vol 77, Num 1, pp 1-11, issn 0001-7884Article

TRIBUNE LIBRE. INSTRUMENTS DE MUSIQUE ET HAUTE FIDELITE (SUITE).PIEL JM.1977; NOUV. REV. SON; FR.; DA. 1977; NO 7; PP. 73-79 (4P.)Article

Identification of polyphonic piano signalsROSSI, L; GIROLAMI, G; LECA, M et al.Acustica. 1997, Vol 83, Num 6, pp 1077-1084, issn 0001-7884Article

Capacity improvement of a blind symbolic music score watermarking techniqueSCHMUCKER, Martin.SPIE proceedings series. 2002, pp 206-213, isbn 0-8194-4415-4Conference Paper

Quasi périodicité et bifurcations dans la note de loup = Quasi periodicity and bifurcations in wolf notePUAUD, J; CAUSSE, R; GIBIAT, V et al.Journal d'acoustique (Les Ulis). 1991, Vol 4, Num 2, pp 253-259, issn 0988-4319, 7 p.Article

Die Geschichte der Stimmgabel. Teil I: Die Erfindung der Stimmgabel, ihr Weg in der Musik und den Naturwissenschaften : Bilder aus der Geschichte der Hals-Nasen-Ohren-Heilkunde, dargestellt an Instrumenten aus der Sammlung im Deutschen Medizinhistorischen Museum in Ingolstadt = The history of the tuning-fork. Part I: The invention of the tuning-fork, its course in music and natural science. Pictures from the history of otorhinolaryngology, highlighted bx exhibits of the Deutsche Medizinhistorische Museum IngolstadtFELDMANN, H.Laryngo-, Rhino-, Otologie. 1997, Vol 76, Num 2, pp 116-122, issn 0935-8943Article

Justification of printed musicBLOSTEIN, D; HAKEN, L.Communications of the ACM. 1991, Vol 34, Num 3, pp 88-99, issn 0001-0782, 12 p.Article

Contribution à l'étude de l'oreille absolue = Contribution to the study of the absolute pitch (AP)CHOUARD, C. H; SPOSETTI, R.Annales d'oto-laryngologie et de chirurgie cervico-faciale. 1990, Vol 107, Num 6, pp 371-376, issn 0003-438X, 6 p.Article

Knowledge based automatic composition and variation of melodies for minuets in early classical styleLÖTHE, M.Lecture notes in computer science. 1999, pp 159-170, issn 0302-9743, isbn 3-540-66495-5Conference Paper

IDENTIFICATION DE SONS POLYPHONIQUES DE PIANO = IDENTIFICATION OF POLYPHONIC PIANO SOUNDSRossi, Lucile; Girolami, Gerard.1998, 218 p.Thesis

Methods for multiple wavetable synthesis of musical instrument tonesHORNER, A; BEAUCHAMP, J; HAKEN, L et al.Journal of the Audio Engineering Society. 1993, Vol 41, Num 5, pp 336-356, issn 0004-7554Conference Paper

The relation between blowing pressure and blowing frequency in clarinet playingBAK, N; DØMLER, P.Acustica. 1987, Vol 63, Num 3, pp 238-241, issn 0001-7884Article

Generalized Musical pattern Discovery by analogy from local viewpointsLARTILLOT, Olivier.Lecture notes in computer science. 2002, pp 382-389, issn 0302-9743, isbn 3-540-00188-3, 8 p.Conference Paper

PM : Protein musicKING, R. D; ANGUS, C. G.Computer applications in the biosciences (Print). 1996, Vol 12, Num 3, pp 251-252, issn 0266-7061Article

MUSER: a prototype musical score recognition system using mathematical morphologyMODAYUR, B. R; VISVANATHAN RAMESH; HARALICK, R. M et al.Machine vision and applications. 1993, Vol 6, Num 2-3, pp 140-150, issn 0932-8092Article

L'oreille absolue : naissance, délices et mort = The absolute pitch. Birth, delights and deathZWANG, G.Annales d'oto-laryngologie et de chirurgie cervico-faciale. 1990, Vol 107, Num 6, pp 377-385, issn 0003-438X, 9 p.Article

How well do we understand absolute pitch ?MIYAZAKI, K.Acoustical science and technology. 2004, Vol 25, Num 6, pp 426-432, issn 1346-3969, 7 p.Article

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