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NONLINEAR DISTORTION AND THE PREFERRED FREQUENCY RANGE OF MUSIC = DEVIATION NON LINEAIRE ET ZONE PREFERENTIELLE DE FREQUENCE DE LA MUSIQUEDERRICK E; DUNN BE.sdJ. AUDIT. RES.; U.S.A.; DA. 197; VOL. 11; NO 1; PP. 17-20; BIBL. 4REF.Serial Issue

AUDITORY DETECTION OF FREQUENCY TRANSITIONTSUMURA T; SONE T; NIMURA T et al.sdJ. ACOUST. SOC. AMER.; U.S.A.; DA. 197; VOL. 53; NO 1; PP. 17-25; BIBL. 15REF.Serial Issue

PRACTICALLY PERFECT PERFORMANCELOCKHEAD GR.1982; J. ACOUST. SOC. AM.; ISSN 0001-4966; USA; DA. 1982; VOL. 71; NO 3; PP. 755-756; BIBL. 4 REF.Article

PSYCHOLOGY OF SOUND REPRODUCTIONOLSON HF.1972; AUDIO; U.S.A.; DA. 1972; VOL. 56; NO 6; PP. 20-73 (5P.); BIBL. 8REF.Serial Issue

PITCH OF COMPLEX SIGNALS ACCORDING TO VIRTUAL-PITCH THEORY: TESTS, EXAMPLES, AND PREDICTIONSTERHARDT E; STOLL G; SEEWANN M et al.1982; J. ACOUST. SOC. AM.; ISSN 0001-4966; USA; DA. 1982; VOL. 71; NO 3; PP. 671-678; BIBL. 30 REF.Article

CONSONANCE AND DISSONANCE OF PAIRS OF INHARMONIC SOUNDSGEARY JM.1980; J. ACOUST. SOC. AMER.; USA; DA. 1980; VOL. 67; NO 5; PP. 1785-1789; BIBL. 10 REF.Article

HARMONY AND NONHARMONIC PARTIALSMATTHEWS MAX; PIERCE JOHN.1980; ; FRA; PARIS: IRCAM; DA. 1980; IRCAM/28-80; 23 P.; 30 CM; BIBL. 12 REF.Report

RESEARCH POTENTIALS IN AUDITORY CHARACTERISTICS OF VIOLIN TONE = ETUDE DES POTENTIELS DANS LES CARACTERISTIQUES AUDITIVES DES SONS DU VIOLONBOOMSLITER PC; CREEL W.1972; J. ACOUST. SOC. AMER.; U.S.A.; DA. 1972; VOL. 51; NO 6, PART 2; PP. 1984-1993; BIBL. 19REF.Serial Issue

A TRISTIMULUS METHOD FOR THE SPECIFICATION OF MUSICAL TIMBREPOLLARD HF; JANSON EV.1982; ACUSTICA; ISSN 0001-7884; DEU; DA. 1982; VOL. 51; NO 3; PP. 162-171; ABS. GER/FRE; BIBL. 18 REF.Article

HARMONY AND NONHARMONIC PARTIALSMATHEWS MV; PIERCE JR.1980; J. ACOUST. SOC. AM.; ISSN 0001-4966; USA; DA. 1980; VOL. 68; NO 5; PP. 1252-1257; BIBL. 13 REF.Article

FREQUENCY OF SOUND FROM SINGING SANDNISHIYAMA K; MORI S.1982; JPN. J. APPL. PHYS.; ISSN 0021-4922; JPN; DA. 1982; VOL. 21; NO 4; PART. 1; PP. 591-595; BIBL. 13 REF.Article

A MODEL FOR HARMONICS ON STRINGED INSTRUMENTSBAMBERGER A; RAUCH J; TAYLOR M et al.1982; ARCH. RATION. MECH. ANAL.; ISSN 0003-9527; DEU; DA. 1982; VOL. 79; NO 4; PP. 267-290; BIBL. 9 REF.Article

SKALIERUNG DES WOHLKLANGS (DER SENSORISCHEN KONSONANZ) VON 17 UMWELTSCHALLEN UND UNTERSUCHUNG DER BETEILIGTEN HOERPARAMETER = ECHELLE DU SON HARMONIEUX (CONSONANCE SENSORIELLE) DE 17 SONS AMBIANTS ET RECHERCHE DU PARAMETRE AUDITIF CORRESPONDANTTERHARDT E; STOLL G.1981; ACUSTICA; ISSN 0001-7884; DEU; DA. 1981; VOL. 48; NO 4; PP. 247-253; ABS. ENG/FRE; BIBL. 11 REF.Article

Gestural imagery in the service of musical imageryGODLY, Rolf Inge.Lecture notes in computer science. 2004, pp 55-62, issn 0302-9743, isbn 3-540-21072-5, 8 p.Conference Paper

Das KEM-Mikrofon : Praktische Erfahrungen bei Musikproduktionen = The KEM microphone : practical experience in music productionsGOOSSENS, Sebastian.Rundfunktechnische Mitteilungen. 2001, Vol 45, Num 1, pp 1-7, issn 0035-9890Conference Paper

QUELQUES TENDANCES RECENTES DE LA PRODUCTION MUSICALE PAR ORDINATEURBATTIER M.1980; INFORMAT. SCI. HUM.; FRA; DA. 1980; NO 45; PP. 13-23; BIBL. 12 REF.Article

THE INFLUENCE OF MELODIC CONTEXT ON PITCH RECOGNITION JUDGMENTDEUTSCH D.1982; PERCEPT. PSYCHOPHYS.; ISSN 0031-5117; USA; DA. 1982; VOL. 31; NO 5; PP. 407-410; BIBL. 10 REF.Article

MUSIQUE: COMPOSITION AUTOMATIQUE, AUTOMATION COMPOSEEENGLERT GG.1980; INFORMAT. SCI. HUM.; FRA; DA. 1980; NO 45; PP. 37-50Article

The crying of fractal Batrachion 1,489PICKOVER, C. A.Computers & graphics. 1995, Vol 19, Num 4, pp 611-615, issn 0097-8493Article

Music information retrieval based on signal processingFUJINAGA, Ichiro; GOTO, Masataka; TZANETAKIS, George et al.EURASIP Journal on Advances in Signal Processing (Print). 2007, Vol 2007, Num 8, issn 1687-6172, 206 p.Serial Issue

Networking audio and music using internet2 and next-generation Internet capabilitiesBARGAR, R; CHURCH, S; WISER, P et al.Journal of the Audio Engineering Society. 1999, Vol 47, Num 4, pp 300-310, issn 0004-7554, 10 p.Article

Cross-synthesis using interverted principal harmonic sub-spacesROCHEBOIS, T; CHARBONNEAU, G.Lecture notes in computer science. 1997, pp 375-385, issn 0302-9743, isbn 3-540-63526-2Conference Paper

Integrated data processing between image and audio musical instrument(piano) playing information processingSAITOH, J; KODATE, A; TOMINAGA, H et al.IEE conference publication. 1997, pp 438-442, issn 0537-9989, isbn 0-85296-692-X, 2VolConference Paper

Subwoofer performance for accurate reproduction of musicFIELDER, L. D; BENJAMIN, E. M.Journal of the Audio Engineering Society. 1988, Vol 36, Num 6, pp 443-456, issn 0004-7554Article

Des instruments de musique... virtuels : Sons et Musique. De l'art à la science = Virtual musical instrumentsHELIE, Thomas; VERGEZ, Christophe.Pour la science (Imprimé). 2008, Num 373, pp 70-77, issn 0153-4092, 8 p.Article

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