Richardson's Colbrand : The Figure of Wrath in the Renaissance and in PamelaBROWN, M. L.Studies in Iconography. 1987, Vol 11, pp 205-230Article

An additional Eucharistic allusion in Van der Weyden's Columba triptychMcNAMEE M. B.Studies in Iconography. 1976, Vol 2, pp 107-113Article

Disguised symbolism exposed and the history of early Netherlandish paintingBENJAMIN L.Studies in Iconography. 1976, Vol 2, pp 11-24Article

Leonardo's Virgin of the Rocks (Musée du Louvre) : a Franciscan InterpretationSNOW SMITH, J.Studies in Iconography. 1987, Vol 11, pp 35-94Article

Meaning in Ercole de'Roberti's Pala PortuenseMANCA, J.Studies in Iconography. 1987, Vol 11, pp 15-34Article

Medici Patronage and the Iconography of Fra Angelico's San Marco AltarpieceMILLER, J. I.Studies in Iconography. 1987, Vol 11, pp 1-13Article

The Parables of the Houses Built on Rock and Sand : A Case for Moralizing Terrains in Seventeenth-Century Dutch PaintingLAWRENCE, C.Studies in Iconography. 1987, Vol 11, pp 185-203Article

An iconographic source of LuciferaRUSH B. B.Studies in Iconography. 1976, Vol 2, pp 121-125Article

... Chè Quivi Per Canti... (Purg., XII, 113), Dante's Programmatic Use of Psalms and Hymns in The PurgatorioLA FAVIA, L. M.Studies in Iconography. 1984, Vol 10, pp 53-65Article

Natura plangens , the Ruthwell Cross, and The Dream of the RoodBAIRD, J. L.Studies in Iconography. 1984, Vol 10, pp 37-51Article

An interpretation of Agostino Carracci's Galatea in the Farnese galleryCHAPPELL M.Studies in Iconography. 1976, Vol 2, pp 41-65Article

Toward an iconography of medieval poetic formsFLEMING J. V.Studies in Iconography. 1976, Vol 2, pp 3-10Article

J. M. W. Turner's Dolbadern Castle, North Wales : the Tower and the CaptiveMITCHELL, D.Studies in Iconography. 1987, Vol 11, pp 231-252Article

Verbal Icons : Paradigms of Death and BirthBOLTON HOLLOWAY, J.Studies in Iconography. 1987, Vol 11, pp 95-110Article

Whaling the Daylights out of Authority : Postmodern Humor and DuchampOLSEN, A; OLSEN, L.Studies in Iconography. 1987, Vol 11, pp 253-262Article

Fallen Earth and Man in Nature : William Blake in Iconographic TraditionCHAYES, I. H.Studies in Iconography. 1984, Vol 10, pp 169-195Article

On the Origin of Zoanthropomorphic Evangelist Symbols : The Early Christian BackgroundWERNER, M.Studies in Iconography. 1984, Vol 10, pp 1-35Article

Stagi, Betti and Zocchi at S. Carlo dei Barnabiti| Style and Meaning in Florentine Quadratura of the Late BaroqueNEUMAN, R.Studies in Iconography. 1984, Vol 10, pp 119-144Article

Noah's wife on the medieval English stage: iconographic and dramatic values of her distaff and choice of the ravenHIRSHBERG J. A.Studies in Iconography. 1976, Vol 2, pp 25-40Article

The egg as emblem: genesis and structure of an Jesuit emblems bookDIMLER G. R.Studies in Iconography. 1976, Vol 2, pp 85-106Article

The thematic juxtaposition of the representational and the sensational in Middleton's Women beware womenHALLAHAN H. D.Studies in Iconography. 1976, Vol 2, pp 66-84Article

George Washington as Master Mason: a rediscovered portrait by Emanuel LeutzeJONES, S. G.Studies in Iconography Highland Heights, Kent. 1981, Vol 7-8, pp 305-322Article

The Ellesmere miniatures as illustrations of Chaucer's Canterbury TalesSTEVENS, M.Studies in Iconography Highland Heights, Kent. 1981, Vol 7-8, pp 113-134Article

Hogarth's Rake's Progress and the Techniques of Verse SatireCOHEN, M. M.Studies in Iconography Highland Heights, Kent. 1979, Vol 5, pp 159-172Article

Brunelleschi's Hospital of the Innocents: of proportions and international fallaciesMACK, C. R.Studies in Iconography Highland Heights, Kent. 1979, Vol 5, pp 31-44Article